This season of Doctor Who has been dubbed as a reboot for the show; a jumping on point for new viewers or old ones who may have been disillusioned in the recent past.
On the face of it, it certainly looks like it, as the order and style of episodes mirrors the formula from Russell T. Davies’ first season back in 2005.
First we had the new companion introduction episode, then a trip to the future followed by an adventure in Earth’s past.
For the fourth episode it’s a return to contemporary Earth for the latest episode. Knock Knock.
Doctor Who – Knock Knock Review: What’s This One About?
Bill and her mates move into a spooky old house that eats people.
Thoughts – Like A Russell T. Davies Story
There’s a lot to enjoy about Knock Knock.
It’s got a simple premise that’s mostly easy to follow, strong performances from the lead actors and the main guest star, plenty of witty, snappy dialogue and a great look and environment to set it in.
Throughout the story, I laughed but I was also engrossed, and that’s a great combination.
What’s more, this was like a welcome change of pace from what we’ve come to expect to be the norm for Steven Moffat. In many ways – just like other standout episodes of his stewardship like The Lodger – this felt like a throwback to the Russell T. Davies era. It was contemporary and relatable but had that Doctor Who twist so you knew what you were watching.
And yet at the same time, this also felt like it could only be a Peter Capaldi episode. Sometimes you get ones like that. Ghost Light stands out as the sort of story that could only fit Sylvester McCoy’s take on the Doctor, while the aforementioned Lodger wouldn’t work with Jon Pertwee making Craig an omelette and going down the park to play football with the lads.
This story largely works because of Peter Capaldi’s age compared to Bill and her friends. It’s the little things like Harry going past and saying “Oh wow, Doctor! Legend!” and the way Bill feels a bit embarrassed to be seen with him; it’s written with Capaldi in mind, and that’s great.
But it’s not the only reason it works. David Suchet – well-known and respected actor that he is – does a brilliant turn as The Caretaker. He takes what another actor might have made a bit ‘one-note’ and adds some layers to it. He does an excellent job.
Knock Knock looks good as well, both in terms of the setting but also the effects. I thought the wooden Eliza looked fantastic, while the lice in the wood didn’t look in any way ropey.
On the whole, I have to say I enjoyed this more than any other episode so far this season.
But it wasn’t without its faults.
For as good as Knock Knock was, some parts of it didn’t really make much sense.
First of all there’s the character of the Landlord, despite how well he’s played.
The reveal that he was actually Eliza’s son rather than her father is something I had mixed feelings about. I was glad that they addressed it because it made sense of the fact he wasn’t made out of wood and
seemingly had been living for well over a hundred years, but that opened up other questions based on how he was presented earlier in the episode. While there was some flimsy line of dialogue that explained his lack of memory or knowledge of the outside world, they didn’t touch upon the way he was able to appear out of thin air and vanish at the drop of a hat.
I felt it let the character down.
The resolution was also a bit of a damp squib too. It’s not as bad as the reset switch from Smile, but the way Eliza decides that she doesn’t want to cause any more fuss came across as limp.
Most of all though, I think what stood out in a negative way was how Bill’s character changed compared to last week. In Thin Ice, Bill confronts death properly for the first time. It had an impact on her and left her a bit shaken.
This week, as far as she was concerned, her flatmates were all killed in the space of a few minutes; some right in front of her. And yet it doesn’t seem to make a blind bit of difference to her.
Now I know that it wouldn’t have worked too well if she was a blubbering, hyperventilating mess over it, but to be so aloof directly opposed what she was like last week. That’s worth criticising.
- While I wouldn’t really consider it a problem, part of me – perhaps the psychotic part – was a tad disappointed the dead didn’t stay dead.
- Seemingly Harry was supposed to be Harry Sullivan’s grandson but that was cut. I can’t say I’m disappointed as it certainly wouldn’t have added anything.
- So far, Nardol’s been a bit pointless hasn’t he?
- What’s in the vault? The obvious guess is Missy but I hope it’s not.
- There are lots of references to the Doctor’s impending regeneration. This makes me sad.
- Watching this, I found myself comparing Knock Knock to Hide because of the setting. What a load of shite Hide was, eh? It shows that an idea just isn’t enough, neither is a setting. This was night and day in comparison.
- I read a review where someone said the impact of Eliza was dampened by the BBC releasing pictures of her before transmission. Well that’s why you don’t look for spoilers then isn’t it?
- I didn’t want to go back and change my review of Thin Ice from last week, but it suddenly occurred to me on Thursday that I forgot to mention that the wrestling moves used in the scene towards the start were completely and utterly anachronistic. For shame.
More Doctor Who Reviews
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