Only this morning I was speaking to a friend about the time back in 1987 when my dad didn’t record episode four of Paradise Towers and it took until December 1994 for it to be repeated on TV again.
That sort of thing must seem alien to the youth of today.
But imagine if it wasn’t?
Imagine if for some reason an episode shown today wouldn’t be able to be seen again – unless you happened to know someone who taped it – until 2024? If that was the case, the whole of Scotland would be absolutely raging right about now.
Because for some reason, right at the point when The Doctor Falls was reaching its climax – when Bill had left the TARDIS and the Doctor lay dead on the floor – BBC Scotland’s feed of the show lost its sound and the remainder of the episode played out to a load of buzzing noises. And then they didn’t even bother to apologise in the post-credits continuity announcement. Bastards.
Thankfully it’s 2017 and I was able to immediately go to the iPlayer and watch it properly there, but by that point arguably the most important scenes of the episode had lost their immediate impact.
Still…I suppose it’s better than waiting seven years to find out what was said.
Anyway, on to the review…
Doctor Who – The Doctor Falls Review: What’s This One About?
Writing everyone out.
Thoughts – A Familiar Change of Pace
Last week I was concerned that this episode would fail to capitalise on the strengths of World Enough and Time, and that it would end up completely over the top like Last of the Timelords.
Those concerns were unfounded to an extent, but as good as this was, my immediate thoughts were that it not only paid a little bit too much tribute to the show’s own lore, but also rehashed old ideas.
- References to Telos, Marinus (that was put in there just to mess with people like me, presumably), Planet 14 and so on.
- Repeating famous lines from classic stories. And Dragonfire.
- A situation that resembled the events of The Time of the Doctor a little too much.
- A companion going off to travel the universe after supposedly dying.
- The Doctor having a Logopolis style flashback to all his companions (except, bizarrely Rory, but even then that could be a deliberate nod to Leela’s omission to the flashback from Resurrection of the Daleks
for all I know)
- Finishing the story in what we must assume is the last few minutes of The Tenth Planet.
Is this a problem? Mostly no. The references will either go over people’s heads or be seen as quite cool; either way they aren’t essential to being able to follow the plot.
And I guess for the untrained eye, the similarities with Time of the Doctor will go unseen, and there won’t be anyone out there who doesn’t like the set-up to the Christmas episode.
But Bill’s departure – if that’s what it is – was too similar to Clara’s, even to the casual viewer. Objectively, that’s lacking in originality.
Having said that though, where else could it go? Steven Moffat was faced with a choice – just as he did with Clara – of killing the character off or finding a way to give her a happy ending.
Had he not given her that happy ending, it would have been one of the most astonishingly bleak but also brilliant ends to a companion in the show’s history.
I have to say though, the sentimentalist in me is happy that she was spared that end. I like Bill and if it’s the last time we see her then it’s a pity.
The Story Itself
Beyond the similarities it has to old episodes, how good is The Doctor Falls?
Well it’s not without its flaws, but it is very good.
If I was to be critical, I’d say that the Cybermen were all too readily relegated to bit-part players. I’ve said before that they work best as incidental figures because of how devoid of character they are, but then this is
the Tenth Planet Cybermen we’re talking about, and as characterisation goes, they are the best ones. They could have been used better.
I’d also say that much of what went on in this episode amounted to window dressing. Ultimately it didn’t really matter where the characters were, because nothing was resolved. Though Nardole led the villagers to safety, it was left unclear what their long-term fate was, both in terms of Cyberman attack and the ship falling in to the black hole.
And while earlier in the episode it was suggested that they couldn’t get back to the TARDIS because of how time was passing (even though that doesn’t hold up considering the pre-Cybermen came for Bill last week) a magic wand was waved to get the Doctor back there in the end.
In spite of those issues though, what made it enjoyable was the strength of acting from the main players.
Matt Lucas seemed to have more about him as Nardole this week, while Michelle Gomez and John Simm – though both toned down a little bit over the last seven days – worked as a wonderful double act.
Pearl Mackie was excellent as Bill, she really was, and the strength of her acting sold the heartbreaking predicament Bill found herself in.
But best of all was Peter Capaldi.
Even though I don’t think he was always given the best material to work with – why he doesn’t want to regenerate is yet to be explained – he was utterly superb; perhaps the best he’s ever been. Not a single line of dialogue is delivered with anything less than brilliance.
While this looks to be the end of the road for most of the characters, we’ve still got Christmas with Capaldi – the finest actor to play the part in my opinion – and if this is anything to go by, he’ll be tremendous one last time.
- I feel I might have brushed over how good Missy and The Master were. Some of the lines – including “The Doctor’s dead. He told me he’d always hated you. Let’s go.” and “Urgh, well doesn’t that take all the
fun out of cruelty” – were sublime, and the way they both stabbed each other in the back was as apt a way for them to go as any.
- The explanation for how the Master got there and why he was in disguise was also well done.
- But I’d liked to have seen him regenerate, and felt the suggestion that he had an erection to be a little bit crude for Doctor Who.
- Hey look, it’s that woman who has made a career out of playing Barbara Windsor.
- The incidental music was top-notch, as was the direction.
- On that note, I loved how we saw the Doctor ‘die’ through the shutting of his own eyes.
- Although if I’m going to be a bit churlish, I found the perspective of the Doctor looking down at ‘Bill’ when he should have been looking up at a Cyberman was a bit off.
- Anyone else notice that the Cybermen guns used what seemed to be the same sound effect as the Autons from Spearhead from Space?
- Pearl Mackie’s delivery of the line “Why can’t I be angry” is a highlight of her performance.
- Maybe I’m being a bit daft but why did they film the pre-credits scene from World Enough and Time a few weeks ago when – based on Capaldi’s hair length – the end of this week’s episode was filmed at the same time as the rest of it?
- My guess is that the Christmas episode might be all about the two Doctors learning to accept regeneration. I could be off though.
- The scarecrows were pointless.
- It’s been pointed out that John Simm’s Master seems to have an obsession with putting the Doctor in a wheelchair. It’s true; it’s happened in every story he’s been in.
- I was wrong about Nardole’s fate; he wasn’t killed off, and in fact the way he departed – while understated – was nicely handled.
Doctor Who – The Doctor Falls Review: Final Thoughts
Overwhelmingly, the strengths of The Doctor Falls lie in the performances of the actors. They – led by Peter Capaldi – were on top form.
The writing? Only so-so.
Now we’ve just got to wait six months to see how this era of Doctor Who is going to end.
I’m looking forward to it already.
More Doctor Who Reviews
Remember that you can read a select amount of my Doctor Who reviews on this blog and all of them in my two ebooks, available here from Amazon